![]() ![]() So for the first time in our musical life we began to think of ourselves as ‘AN AMERICAN BAND’… telling ourselves that it would be our identity for our next creative adventure. not really caring WHERE we were actually from. for most of our musical life (as The Flaming Lips starting in 1983) we’ve kind of thought of ourselves as coming from ‘Earth’. it wasn’t till I was about 10 or 11 that my older brothers would know a few of the local musician dudes. ![]() We mostly listened to the Beatles and my mother loved Tom Jones (this is in the 60’s). I know growing up (when I was like 6 or 7 years old) in Oklahoma I was never influenced by, or was very aware of any musicians from Oklahoma. ![]() We never thought of ourselves as an AMERICAN band. American Head takes on a welcome temporal shift that occupies a similar space to that of The Soft Bulletin or Yoshimi Battles The Pink Robots and just may be their most beautiful and consistent work to dateĪmerican Head finds The Flaming Lips basking in more reflective lyrical places as Wayne Coyne explains in a longer form story titled “We’re An American Band.” Among them, “God and the Policeman” featuring backing vocals from country superstar Kasey Musgraves. The album is comprised of thirteen new cinematic tracks, produced by longtime collaborator Dave Fridmann and The Lips. American Legends The Flaming Lips announce the release of their 21st studio album, American Head via Bella Union. ![]()
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